There is not a GOOD woman in London who would not applaud me. We have been too lax. We must make an example. I propose to begin to-night. [Picking up fan.] Yes, you gave me this fan to-day; it was your birthday present. If that woman crosses my threshold, I shall strike her across the face with it.

There is not a GOOD woman in London who would not applaud me. We have been too lax. We must make an example. I propose to begin to-night. [Picking up fan.] Yes, you gave me this fan to-day; it was your birthday present. If that woman crosses my threshold, I shall strike her across the face with it.

Fan Cultures is the first comprehensive overview of fans and fan theory. From victims of capitalist exploitation to more positive interpretations, Matthew Hills outlines the ways in which fans have been conceptualized in cultural theory.

Fans are one of the most widely-studied groups of media consumers. Often knowing more about a character or TV series than the star or programme-makers themselves, and ready to make surprising readings of plot lines and characters, they have been viewed as the ultimate active audience. Fan Cultures is both the first comprehensive overview of fan theory and a challenge to the est...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

胡安•马尔塞（Juan Marsé），西班牙作家。 1933年出生于巴塞罗那，14岁时在首饰店当学徒，陆续在《岛》等杂志发表作品。1958年，小说处女作《仅被一种玩物所困》出版，开始崭露头角，此后移居巴黎。主要有作品《与特雷莎共度的最后几个晚上》《月亮的这副面孔》《穿着金色短裤的女孩》《上海梦幻》《蜥蜴的尾巴》等，先后获“简明丛书奖”“行星文学奖”“批评奖”和“国家叙事文学奖”多种奖项。 2009年，胡安•马尔塞获西班牙语文学最高荣誉塞万提斯奖。